Exploring the Cinematic Landscape: EVERYTHING EVERYWHERE, CINQ DIABLES, FLEE & LES VALSEUSES
Explore a variety of films including EVERYTHING EVERYWHERE ALL AT ONCE, CINQ DIABLES, FLEE, and the classic LES VALSEUSES in our latest cinematic discussion.


Exploring the Cinematic Landscape: EVERYTHING EVERYWHERE, CINQ DIABLES, FLEE & LES VALSEUSES
As September unfolds, cinephiles are treated to a bounty of remarkable films. This week, we dive into the eclectic offerings of Everything Everywhere All at Once, Cinq Diables, Flee, Avec Amour et Acharnement, and Rebel. Additionally, we reflect on the classic Les Valseuses by Bertrand Blier. Join us for an engaging discussion!
Current Highlights
Everything Everywhere All at Once (~28 min)
This film has garnered significant attention for its unique narrative and innovative storytelling. It invites viewers into a multiverse filled with unexpected twists and emotional depth.
Cinq Diables (~49 min)
Cinq Diables presents a captivating tale that intertwines themes of memory and identity, showcasing the complexity of human relationships.
Flee (~1h10)
A powerful animated documentary, Flee tells the poignant story of a refugee’s journey, blending personal narrative with larger socio-political themes.
Avec Amour et Acharnement (~1h25)
This film explores love and obsession, delving into the darker aspects of relationships and the human psyche.
Rebel (~1h35)
Rebel captures the struggles of its characters as they navigate societal challenges, offering a gripping narrative that resonates with contemporary issues.
Flashback Feature
Les Valseuses (~1h54)
In our retrospective segment, we discuss Les Valseuses, a film that remains a landmark in French cinema. Its bold exploration of sexuality and rebellion continues to spark conversations today.
Conclusion
The episode wraps up with reflections from our hosts Simon Riaux, Arthur Cios, and Sophie Grech, all moderated by Victor Bonnefoy. These films not only entertain but also provoke thought, making this an exciting time for cinema enthusiasts.




